Anke Blondé’s film “Dust” captivates audiences by portraying the dramatic downfall of the wealthy, reflecting the timeless narrative of greed and power, akin to the myth of Icarus. With its timely themes, the movie resonates with a world where modern absurdities often overshadow fiction, making this tale particularly compelling.
Premiering in Berlinale’s main competition, “Dust” unveils the story of two 1990s Belgian entrepreneurs, Luc and Geert, played by Jan Hammenecker and Arieh Worthalter. Their seemingly impressive empire crumbles as their deceptions are poised to unravel. In desperation, they attempt to conceal their misdeeds before the authorities close in.
“From an outsider’s perspective, they epitomize success. But I delve deeper,” states director Anke Blondé.
Most people might struggle to connect with the wealthy elite, but Blondé offers a different lens.
“I wanted to understand them. Some might question this: ‘These antagonists? Men who have cost people fortunes?’ While I don’t sympathize with their actions, I explored how greed reshaped them.”
As the characters navigate the stages of grief, denial proves particularly stubborn.
“When those in power face its potential loss, they desperately cling to it. That mirrors current global dynamics, where leaders mislead to maintain their standing,” she observes.
Produced by Dries Phlypo for A Private View and distributed by LevelK, the screenplay by Angelo Tijssens draws loose inspiration from real events.
“Our connection to actual events is as direct as ‘Titanic’s’ to the ship’s sinking. Angelo didn’t consult those involved. Instead, we used these events to reflect on humanity and West Flanders’ culture,” explains Blondé.
“I believe your origins shape your coping mechanisms. Belgium’s history of conquest has fostered modesty. Ambition isn’t encouraged; you’re warned, ‘Don’t fly too high or you’ll fall.’”
Such is the fate of Blondé’s protagonists. Facing ruin, they seek solace in forgotten relationships.
“When stripped of everything, people turn to their roots and family. After failure, there’s a yearning for comfort. Ironically, their years of deceit have eroded these connections. Families and friends, the anchors they need, are absent because of their actions.”
Yet they still find support in each other.
“It was crucial to suggest hope and accountability. Initially, they’re at the pinnacle, but their descent is relentless, plunging them into literal and metaphorical mud. However, their friendship emerges as pivotal, showcasing Angelo’s flair for surprising twists.”
Dark humor abounds.
“Humor is essential for storytelling and coping, even for me. Other directors read the script, but Angelo noted: ‘You were the only one who laughed so much,’” recalls Blondé.
Those in power often feel invincible — like deities.
“Until their ambition brings them too close to the sun, like Icarus,” she wryly notes.
“Today’s power struggles are absurd, even more so than our film. A bit of laughter at their expense is satisfying. Though set in the 1990s tech boom, its themes are strikingly relevant. Despite numerous setbacks, I believed in the project, even having an earring made that read: ‘Dust.’”
In West Flemish, “dorst” (thirst) humorously resembles “dust.”
“At every industry event, I wore it, and it worked! Perhaps I’m superstitious now; I’ll definitely get more jewelry for my future projects.”
