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Rosalía’s ‘Lux’ Through the Eyes of Her Collaborators

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Written byJennifer Anderson
Rosalía's 'Lux' Through the Eyes of Her Collaborators

Rosalía’s latest album, Lux, is an epitome of artistic synergy, bringing together a diverse group of collaborators to create a unique masterpiece. This feature reflects on how her collaborators helped shape this transformative work, blending languages, orchestral arrangements, and classical influences to craft an album that feels both luxurious and complete. As we delve into the insights from these creative minds, we’ll explore their favorite contributions and the profound impact Lux has made.

Noah Goldstein and Dylan Wiggins: Crafting the Vision

Rosalía enlisted renowned producers Noah Goldstein and Dylan Wiggins to bring her vision for Lux to life. Their efforts were bolstered by a remarkable team, including Icelandic conductor Daníel Bjarnason, who led the London Symphony Orchestra on every track. With past collaborations with Sigur Rós and his own acclaimed projects, Bjarnason was instrumental in weaving orchestral magnificence throughout the album. Meanwhile, orchestrator Kyle Daniel Gordon, known for his work on the Oppenheimer and Bridgerton soundtracks, contributed to the album’s unique soundscapes.

Yahritza y Su Esencia: A Dream Collaboration

For Yahritza of the band Yahritza y Su Esencia, the opportunity to collaborate with Rosalía was both unexpected and exhilarating. “I had so many emotions right there,” she recalls, expressing the thrill shared with her brother upon hearing the news. Their track, “La Perla,” became a favorite on Lux, with Yahritza emphasizing its relatable lyrics and emotional depth. The collaboration with Rosalía served as a testament to the possibilities that arise from perseverance and passion.

Kyle Daniel Gordon: Orchestral Mastery

Orchestrator Kyle Daniel Gordon received a timely call from the London Symphony Orchestra about working with Rosalía. The collaboration led to creative sessions that explored classical influences. “Berghain” became an operatic piece reminiscent of 18th-century works, thanks to Gordon’s meticulous arrangements. The use of unique instruments like the contrabass clarinet on “Porcelana” highlighted the album’s innovative approach. For Gordon, Lux was a dream project: art created for its own sake, yet achieving widespread popularity.

Carminho and the Power of Fado

Portuguese artist Carminho brought her own song, “Memória,” to Rosalía’s attention, a track she had originally intended for her album. “It was a very powerful message,” she explains, detailing the introspective lyrics that explore identity and transformation. Delighted to share fado music through Rosalía’s album, Carminho reflects on how this collaboration becomes an opportunity to introduce audiences to the genre. Her contribution to Lux emphasized the album’s harmonious blend of cultural and musical diversity.

Daníel Bjarnason: Orchestral Innovation

Conductor Daníel Bjarnason expressed surprise at the integral role the orchestra played in Lux. With tracks like “Berghain” showcasing bold strings and intricate compositions, the album defied typical pop conventions. Rosalía’s openness to experimentation allowed for a project that pushed boundaries, yet remained true to its artistic core. Bjarnason highlighted the album’s commitment to the expression of its central themes, with the orchestral elements enhancing rather than overshadowing the vocal performances.

Rosalía’s Lux stands as a testament to creative collaboration and innovation, with each contributor bringing something unique to the project. The album’s success lies in its ability to blend diverse musical influences seamlessly, resulting in a work of art that resonates with audiences worldwide.