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K-Pop Star’s New Merch Venture Earns Thousands Overnight

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Written byJennifer Anderson
K-Pop Star's New Merch Venture Earns Thousands Overnight

In the ever-evolving music industry landscape, where streaming numbers often overtake tangible income, artists are finding innovative ways to monetize their craft. A prime example is a K-Pop veteran who recently struck gold over a weekend with a novel music merch startup. This venture allowed him to make five figures, highlighting a new path for independent artists seeking financial stability through inventive fan engagement strategies.

The Rising Star of Kevin Woo

Over the past month and a half, Kevin Woo, a seasoned K-Pop artist, has experienced a surge in his career thanks to the unexpected global influence of Netflix‘s KPop Demon Hunters. Woo, who began his K-pop journey with the boy band U-KISS back in 2008, transitioned to a solo career in 2018. His recent involvement in the film, lending his voice to the character Mystery Saja, has dramatically expanded his reach. The film’s popularity drew over 100,000 new followers to Woo’s social media platforms. The soundtrack also boosted his monthly Spotify listeners from just over 10,000 to over 28 million.

“I loved the songs and knew they were great, but we didn’t know it was going to be anything like this,” Woo shared with THR.

Leveraging Viral Success through OpenWav

Determined to capitalize on this newfound recognition, Woo turned to OpenWav, a comprehensive fan engagement app, to build on his momentum. He sold approximately 2,500 tickets for a pop-up event in downtown L.A., coinciding with KCON. At the event, he cosplayed as Mystery Saja and hosted a flash mob to “Soda Pop,” drawing in over 2,000 fans. The tickets, primarily free except for about 100 VIP tickets priced at $50 each, were sold through OpenWav. Additionally, Woo designed and sold around 3,000 pieces of limited-edition merchandise in the three days following the event, earning him a “healthy five figures” in revenue.

Woo emphasized the need for alternative revenue streams beyond streaming, stating, “It’s really hard to make a living just off music; a lot of musicians have side hustles just to pay their rent. But there’s a fanbase that I’ve already built, and this is the time for me to take ownership of my music and events. OpenWav was willing to collaborate with me for that.”

OpenWav: Revolutionizing Music Merch

Co-founded by music-tech entrepreneur Jaeson Ma of 88Rising fame, OpenWav launched in June with rapper Wyclef Jean as Chief Music Officer. The app, which has backing from industry giants like Warner Music Group and CAA-backed Connect Ventures, aims to revolutionize how smaller acts engage with fans and break away from the saturated streaming ecosystem. Ma’s vision is to nurture “superfans,” those dedicated followers who invest in more than just music but also in merchandise and experiences.

“Kevin’s the perfect artist to show this thesis, that a thousand fans can mean a sustainable career to build off of,” Ma explained. During a beta drop, Woo had less than 10,000 monthly listeners but achieved over $20,000 in merch sales, underscoring the app’s potential.

OpenWav’s business model involves a 20% cut of revenue while artists retain the remainder, likening it to WeChat’s multifaceted platform. The app’s dropshipping feature allows artists to sell merchandise without holding inventory, streamlining the process from design to delivery.

“There’s no other place where you can do all this in one space,” Ma noted, emphasizing the convenience for artists managing multifaceted fan interactions.

Empowering Artistic Independence

Woo is embracing this innovative model, which aligns with his desire for independence. “I’ve got this momentum with this film in my career, and I’m able to act immediately,” he said. Ma and OpenWav are empowering artists to maintain control over their music, masters, and data. Woo’s strategy prioritizes personal control and connection to his audience, stepping away from traditional label constraints.

“The strategy I have now is still me being the forefront and the captain of my own ship,” Woo stated. “I don’t think I’ll ever go back to a traditional label. I feel like I need to have the full say and control, and things like this help.”