In a recent spotlight on the MTV Video Music Awards, guitarist Justin Hawkins weighed in on the controversy surrounding his brother’s comments about Yungblud, whom he referred to as a “poseur” during a tribute to Ozzy Osbourne. This debate highlights the chasm between veteran rock artists and newer generations, showcasing differing perspectives on authenticity and the legacy of rock music.
The Ozzy Tribute Performance
Earlier this week, Dan Hawkins, guitarist for The Darkness, garnered attention for his sharp critique of the Ozzy Osbourne tribute at the MTV VMAs in Los Angeles. The tribute featured Yungblud alongside Extreme guitarist Nuno Bettencourt and Black Sabbath’s Adam Wakeman, performing iconic songs like “Crazy Train” and “Changes.” The performance culminated with contributions from Aerosmith’s Steven Tyler and Joe Perry on “Mama, I’m Coming Home.” Dan’s Instagram post labeled the medley as “Another nail in the coffin of rock’n’roll,” criticizing it as “cynical, nauseating and, more importantly, shit,” and dismissing the performers as “a bunch of bellends.”
Justin’s Observations on Yungblud
On the latest episode of his podcast, “Justin Hawkins Rides Again,” Justin Hawkins addressed the backlash surrounding the tribute and his brother’s remarks about Yungblud. He questioned whether it was necessary to use terms like “bellend,” emphasizing the need for more constructive dialogue. “Was it really necessary to refer to anyone as a ‘Bellend’? Let me try to explain,” Hawkins stated, hinting at a thematic disconnect between the tribute and Ozzy’s storied career.
Hawkins elaborated on Yungblud’s approach to the tribute, stating, “The tribute to Ozzy extends to what he was doing on the red carpet… Ozzy was fucking hilarious; he really was funny.” His comments reflect a broader sentiment among older artists who grapple with a younger generation attempting to claim a legacy many feel is due to true pioneers like Ozzy.
Legacy and Authenticity in Rock
Justin Hawkins expressed frustration regarding Yungblud’s portrayal as an heir to the Ozzy legacy, questioning the depth of that connection. “What the fuck does all those decades of having this incredible legacy got to do with Yungblud?” he asked, suggesting that true rock authenticity is rooted in historical context and musical depth. He characterized Yungblud’s persona as “all of this posturing is Jim Morrison meets the bloke from Stone Temple Pilots.” This sentiment suggests a critique of a perceived lack of substance in modern rock performances.
The Broader Implications for Rock Music
Justin further noted the disconnect between Yungblud’s stylized performance and the raw authenticity often associated with rock music. “It doesn’t ring authentic. It’s rock’n’roll, but not as we know it,” he indicated, comparing contemporary performances to a “Disney veneer” that feels inauthentic to veteran artists. He pointed out that these types of displays may alienate traditional rock fans and diminish the genre’s rich legacy.
The Darkness is currently on tour in Canada and plans to hit the U.S. next week before heading to Europe. As the debate continues over Yungblud’s approach to rock and his perceived authenticity, the conversation remains a critical touchpoint for fans and musicians alike as they navigate the future of rock music.
Upcoming Tour Dates
The Darkness is gearing up for a series of performances in major cities, including:
- Sep 12: Toronto, Phoenix Concert Theatre, Canada
- Sep 13: Kitchener, Elements, Canada
- Sep 14: Montréal, Club Soda, Canada
- Sep 16: Indianapolis, Egyptian Room at Old National Centre, IN
- Sep 17: Detroit, Saint Andrew’s Hall, MI
- Confidentiality dates… (continued)
For the latest updates and ticket information, check out The Darkness’ official website.
