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Creating Realistic and Relatable KPop Demon Hunters at SCAD Panel

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Written byJennifer Anderson
Creating Realistic and Relatable KPop Demon Hunters at SCAD Panel

The SCAD Savannah Film Festival recently hosted the fourth annual “Pixels and Pencils” directors roundtable, highlighting the unique creative journeys behind some of the most acclaimed animated features of the year. A standout moment came from Chris Appelhans and Maggie Kang, the directors of “KPop Demon Hunters,” who shared their approach to crafting characters that feel authentic — sometimes ugly, often silly, and undeniably intriguing. This panel offered an invaluable exploration of the artistic processes driving modern animation, engaging both audiences and fellow creators in a lively discussion.

The Historic Panel at SCAD

The “Pixels and Pencils” roundtable, moderated by Variety Chief Awards Editor Clayton Davis, brought together top-tier directors, including Ugo Bienvenu (“Arco”), Domee Shi (“Elio”), Alex Woo (“In Your Dreams”), Chris Appelhans and Maggie Kang (“KPop Demon Hunters”), Maïlys Vallade (“Little Amélie or the Character of Rain”), and Kent Seki (“Teenage Mutant Ninja Turtles: Chrome Alone 2 – Lost in New Jersey”). This year was landmark for its inclusion of more women filmmakers and the participation of a returning director and a short film.

Part of Variety’s collaboration with the SCAD Savannah Film Festival, the series has seen previous Oscar nominees and winners, enhancing its reputation as a significant event in the animation awards season. The panelists shared insights into their creative processes, marking a memorable afternoon of inspiration and introspection.

Creating Real Characters in “KPop Demon Hunters”

Directors Chris Appelhans and Maggie Kang emphasized their commitment to authenticity in “KPop Demon Hunters.” Celebrated for presenting Korean culture with vibrancy, Kang expressed their aim to make characters that are “real — ugly at times, silly, and real hot.” Their collaboration and shared vision turned into a highlight of the festival.

Appelhans commented on their teamwork: “Once we figured out we could attack a problem together and make it better, it became hard to work apart.” Kang added, “We just have the same exact taste, which is so crazy,” highlighting a creative partnership that thrived under shared decision-making.

Insights from Other Panelists

Other directors provided reflections on their projects and inspirations. Domee Shi shared how her film “Elio” connects to her inner child, focusing on themes of belonging and identity. Ugo Bienvenu spoke about envisioning a hopeful future in “Arco,” motivated by a desire to imagine a better world. Meanwhile, Maïlys Vallade discussed the emotional power of animation through her hand-drawn piece “Little Amélie.”

Alex Woo explored themes of disappointment and resilience in “In Your Dreams,” aiming to portray a more nuanced take on dreams and aspirations. Kent Seki also shared his journey in animation, stressing the importance of perseverance in the face of rejection.

An Inspiring Younger Voice

The surprise involvement of SCAD animation student Anthony DiMarco added an unforgettable element to the event. Declaring his ambition to direct the first animated film to win a Best Picture Oscar, DiMarco engaged with each director, seeking advice for emerging filmmakers. His questions about overcoming self-doubt and rejection resonated deeply, earning applause from the audience.

DiMarco remarked, “This experience today has taught me that animation is about passion, perseverance — and having at least three, maybe four backup drives.” His enthusiasm underscored the importance of nurturing new talent, a key focus of the SCAD Savannah Film Festival.

As the festival concluded, the “Pixels and Pencils” roundtable continued to affirm its role as a beacon for both rising stars and established figures in animation. With a dedication to storytelling and innovation, the future of animated film shines brightly, hinting at the possibility of an animated Best Picture winner in the years to come.