BAFTA-nominated filmmaker Richard Hawkins returns to the cinematic scene with his latest work, “Think of England.” This much-anticipated film, set to debut at the Tallinn Film Festival, marks Hawkins’ re-entry after a significant hiatus. Known for his compelling storytelling, Hawkins explores the blurred lines of morality and reality in this WWII satire, crafting a narrative that challenges perceptions through its engaging plot and layered characters.
The Journey Back to Filmmaking
Hawkins’ return with “Think of England” is a significant event, considering his last directorial project was over a decade ago. His debut, “Everything,” garnered attention for its intense and minimalist approach. Reflecting on the time away from the industry, Hawkins shares, “It takes a lunatic to make a film and I’m quite a good one!” This hiatus allowed him to explore other interests, yet the allure of unfinished business in cinema pulled him back.
The script, delayed by changing times and themes, found its voice in today’s world. Hawkins explains, “I wanted to explore the fine lines that we draw in the sand to define our moral compass… notably during war.” This introspection laid the groundwork for the narrative of “Think of England.”
WWII Satire and Moral Dilemmas
Set during the lead-up to the Allied invasion of France, the film focuses on a unique British film project, contrasting with a Shakespearean adaptation helmed by Laurence Olivier. The story unfolds on a remote Scottish island where an eclectic group embarks on creating propaganda films. Each character brings their own complexities, from a former movie star to a German director, adding depth to the plot.
The film delves into two fundamental taboos in cinema: sex and violence. Hawkins comments, “There are two things you cannot act: actually having sex and killing someone.” This assertion drives the narrative, highlighting the challenges actors face when portraying such intense scenes.
A Modern Reflection
Hawkins connects the film’s themes to current societal issues, emphasizing the prevalence of misinformation. “We’re in a world of fake news… the film resonates with today’s reality,” he emphasizes. “Think of England” invites viewers to question the narratives presented to them, echoing the manipulative tactics used during war times.
Production and Cinematic Vision
Produced by Nick and Poppy O’Hagan of Giant Films, the project was realized through meticulous planning and a dedicated crew. “Think of England” was filmed over 21 days with a minimal budget, featuring shifting aspect ratios to reflect its multi-layered storytelling. The cast includes talents like Jack Bandeira and Natalie Quarry, grounding the film in authenticity without the influence of A-list celebrity presence.
The O’Hagans are committed to ensuring the film’s theatrical release through their Made for Cinema initiative, designed to support independent filmmakers. “It’s about staying free from any constraints,” Nick O’Hagan explains, speaking to the initiative’s mission to engage audiences directly with provocative cinema.
