Set against the unpredictable weather of Yorkshire, “The State of Us” presents a slice of life that mixes gritty British realism with Hollywood-style sentimentality. Directed by British newcomers Ollie Gardner and Jake Harvey, this buddy comedy offers a touching narrative, anchored by spirited performances from its leads, Samuel Bottomley and Callum Scott Howells.
Plot Overview
The film follows Frankie (Bottomley), a young slacker, who drives a tired hatchback outfitted with a sunroof—a surprising detail for Yorkshire, where such luxuries are hardly a priority. This sunroof becomes essential during a pivotal emotional moment when Frankie’s terminally ill best friend, Taylor (Howells), stands up in the car to soak in the cold night air. While this image may feel cliché—drawing parallels to films like “The Perks of Being a Wallflower” and the series “Euphoria”—the film manages to infuse it with genuine emotion, showcasing Frankie and Taylor’s quest for the carefree life typically portrayed in American youth films.
Character Dynamics
The dynamic between the two young men is at the heart of the story. Taylor, confined to a hospice due to terminal cancer, finds an unexpected escape when Frankie, his irresponsible friend, breaks him out for one wild night filled with adventure and deep emotional introspection. The film artfully blends the downbeat atmosphere of Ken Loach’s social realism with melodramatic humor, creating a tone that isn’t always entirely convincing but remains endearingly watchable.
A Look at Their Past
The narrative is bolstered by a brief prologue that reveals Frankie’s troubled childhood—having lost his mother early and grown up in a chaotic household. He was enveloped in the more stable environment Taylor’s family provided, solidifying their bond that dwarfs traditional friendships. As the film progresses into the present day, it becomes apparent that some unseen rift has formed between the two friends. Despite Frankie’s numerous late-night vigil visits to the hospice, maintaining their relationship proves challenging.
Pacing and Structure
Breaking into the hospice through a window, Frankie initiates their escapade without delay, which keeps the film’s pacing brisk at just 90 minutes. Skillfully edited by Chris Gill and Abi Wright, “The State of Us” transitions smoothly between moments of tragedy and levity, even introducing an awkward romantic subplot involving Taylor and a mysterious girl named Rosie (Safia Oakley-Green). While the subplot feels somewhat forced, it contributes to the textural richness of the story.
Humor and Heart
The film sprinkles in humor, particularly through a lively party scene rife with juvenile antics. However, it shines most when thoughtfully focused on the relationship between Frankie and Taylor, whether during intimate conversations in the car or reflective moments in the beautiful Yorkshire landscape. The cinematography by Yunus Roy Imer captures the area’s rolling beauty while maintaining a sense of intimacy.
Standout Performances
Howells delivers an empathetic portrayal of Taylor, capturing his anxious nature without reducing him to mere victimhood. He embodies the essence of a compassionate friend grappling with his illness. Yet, it is Bottomley who truly leaves an impression; he brings depth to Frankie’s immature behavior, revealing his underlying fears and self-doubt, haunted by the grief of his youth. As the narrative unfolds, viewers find themselves emotionally invested not just in Taylor’s fate but in Frankie’s struggle as well, culminating in an experience that resonates deeply.
Through its heartfelt storytelling and strong performances, “The State of Us” offers both a comedic respite and a poignant look at friendship amid adversity, ensuring it strikes a chord with festival audiences and beyond.
