Austin Meade’s latest album, Almost Famous, marks a definitive shift in his sound, leaning more into Texas rock than country. This transition highlights Meade’s evolution as an artist who has been navigating the music scene since 2014. The album signifies his journey and growth, as well as his bid to carve out a unique space within the independent music landscape. In this article, we explore how Meade’s experiences and collaborations have influenced his latest work, and why Almost Famous could be the turning point in his rising career.
The Journey of an Independent Artist
Since releasing his debut album in 2014, Austin Meade has embodied the gritty determination often required in independent music. “We’ll play big festivals, then the next night, a smoky bar to 200 people,” he explains. This juxtaposition showcases the highs and lows Meade has faced along his path.
Sitting on his tour bus under the Texas sun, Meade prepared to open for a sold-out Treaty Oak Revival concert. His role as a favored opener for bands like Treaty Oak and Koe Wetzel post-pandemic has been pivotal. With the release of Almost Famous, his sixth studio album, Meade captures the essence of these experiences through his music.
A Transition into Texas Rock
The past few years have been transformative for Meade. “There’s been a lot of change in my life,” he shares. Overcoming personal and professional challenges, he’s ventured into the rock genre, infusing his Texas country roots with a rock edge reminiscent of Cross Canadian Ragweed and frontman Cody Canada. This shift is evident across the 10 tracks recorded in his New Braunfels home and Nashville.
The release cycle began over the summer with singles like “Honey Do Ya” and the title track “Almost Famous.” These songs, personal in nature, reflect Meade’s struggle and resilience. The relatable themes of near success and personal growth resonate through his music.
Recognition and Relationships
Moving beyond theaters and bars, Meade has headlining dates lined up, including a stop at the historic Gruene Hall. His collaboration with Treaty Oak Revival’s Sam Canty, especially through the “Mead-E-Oak-r Christmas Vacation Tour,” further strengthens his presence in the Texas music scene.
“We come from the Texas life,” Meade emphasizes. His friendship with Canty is more than professional; it’s personal, fostering a sense of community that supports his ambitions. The success of Treaty Oak as an independent band fuels Meade’s hope that Almost Famous could finally elevate his career.
Meade’s deep connection to his roots, fused with a fresh musical direction, makes Almost Famous a significant milestone. His journey through the challenges of independent music might just lead to his long-awaited breakthrough, marking this album as a pivotal point in his artistic evolution.
