Autumn Durald Arkapaw, the groundbreaking cinematographer of “Sinners,” continues to capture the industry’s spotlight with her visionary work. Known for her collaboration with Ryan Coogler, Arkapaw not only boasts an Oscar nomination but also shares exciting updates on her role in upcoming projects like “The X-Files” reboot. Her unique perspective and accomplishments are inspirations in the film world, marking her as a key figure in cinematic artistry.
Breaking Barriers with “Sinners”
Autumn Durald Arkapaw made history as the first woman of color to receive an Oscar nomination for best cinematography for her contribution to Ryan Coogler’s “Sinners.” Reflecting on the monumental achievement, she confided to Variety’s Awards Circuit Podcast, “It’s a dream come true.” Her work on “Sinners” has been widely celebrated, with nominations from the British Society of Cinematographers, BAFTA, and the American Society of Cinematographers. Although she’s been enjoying the film’s success since its release, Arkapaw admits she’s still processing the reality of her accomplishments.
“Sinners” itself became a historical phenomenon by securing an unprecedented 16 Oscar nominations, setting a new record. Arkapaw’s role was crucial in translating Coogler’s vision into a visual masterpiece, a partnership sparked by mutual respect and creative synergy.
Collaborative Journeys with Ryan Coogler
The partnership between Autumn Durald Arkapaw and Ryan Coogler flourished further as they prepare to reunite for “The X-Files” reboot. Their collaboration plans also extend to the much-anticipated “Black Panther 3.” Arkapaw fondly recalls her first encounter with Coogler in a cafe, an unspoken recognition that would evolve into a prolific professional relationship.
Though initially unable to work on “Creed” due to studio hesitations over her credits, Arkapaw’s tenacity and talent led to her pivotal roles in films like “The Sun Is Also a Star” and “Loki.” Thanks to a recommendation from cinematographer Bradford Young and a serendipitous connection through Rachel Morrison, Arkapaw proved to be one of the most sought-after cinematographers in Hollywood.
Mastering the Art of Visual Storytelling
Arkapaw’s groundbreaking work on “Sinners” was marked by her use of Imax 65mm and Ultra Panavision, pushing the boundaries of cinematography. Despite challenges such as unpredictable weather conditions during filming in New Orleans, Arkapaw’s dedication ensured a seamless production.
Her favorite shot from the film was the church scene, conceived during a location scout with production designer Hannah Beachler. As costume designer Ruth E. Carter dressed the actors, Arkapaw felt transported to the 1930s, bringing the past alive through her lens.
The film’s climactic fight scene involved intricate collaborations with department heads and assistant director Marvin Williams. Arkapaw humorously recounts how her camera team shielded her from being splattered in blood using tarp and duvetyne.
Capturing a Legendary Cameo
On the very first day of shooting, Arkapaw captured a memorable scene featuring blues legend Buddy Guy, marking the occasion with two unprecedented shooting formats. “Having Buddy Guy on set your first day is pressure, but it went beautifully,” Arkapaw shares. This impressive debut set the tone for the rest of the production, emphasizing her ability to harness high-stress moments with finesse and precision.
Autumn Durald Arkapaw’s career has come full circle since making Variety’s 10 Cinematographers to Watch list over a decade ago. With a historic Oscar nomination and plans to continue her collaboration with Ryan Coogler, her journey is both inspiring and trailblazing in the film industry.
For more engaging discussions on the latest in film and television, tune into Variety’s “Awards Circuit” podcast, hosted by Clayton Davis and his team. Discover interviews, industry debates, and much more on platforms like Apple Podcasts, Stitcher, and Spotify.
