In the world of film adaptations, particularly those derived from literary classics, it’s not uncommon for actors to balance the weight of character with the pressures of aesthetic appeal. This contrast became evident on the set of the upcoming adaptation of Jane Austen’s Sense and Sensibility, where leading actress Daisy Edgar-Jones and her co-star Esmé Creed-Miles experienced a stark new approach to makeup in their portrayal of the iconic Dashwood sisters.
A Bare-Faced Direction
Under the guidance of director Georgia Oakley and hair and makeup designer Nadia Stacey, Edgar-Jones and Creed-Miles faced a unique challenge: a strict no-makeup policy. This bold directive extended not only to the actresses but also to the film’s overall aesthetic, aiming for authenticity and a natural portrayal of 19th-century life. Edgar-Jones shared her experience during an episode of Vogue‘s podcast, The Run-Through, aired on October 15. “Nadia was like—and Georgia too—they were like, ‘We’re having no makeup in this film,’ to Esme and I,” she recounted. In disbelief, the actresses found themselves questioning the extent of the ban, even asking, “Not even ChapStick?”
The Challenge of Going Minimal
To which Stacey firmly replied, “Nothing.” The bold stance left Edgar-Jones and Creed-Miles with few alternatives. They were tempted to break the rules and reported sneakily applying ChapStick when they thought the directors weren’t looking. However, Oakley was keenly observant, often catching them in the act by saying, “Take it off. I see. I can see.”
First-Time Experience for Edgar-Jones
This adaptation marked a significant milestone for the 28-year-old Edgar-Jones, as it was her first time appearing on screen devoid of traditional makeup. Apart from a light application of “sun cream and some added freckles”—a necessity given the sun-soaked environments her character, Elinor Dashwood, often found herself in—she embraced the less-is-more approach with enthusiasm.
In a cinematic era where makeup can often overshadow authenticity, Edgar-Jones and Creed-Miles’ experience on the set of Sense and Sensibility highlights a refreshing, albeit challenging, commitment to realism in storytelling. This dedication promises to resonate with viewers looking for a more genuine portrayal of Austen’s beloved characters.
